Everyday life has a subtle double edge that message by message tears the collective consciousness. Hidden mantras things that say other things roles that are perpetuated social patterns that are modulated words that we say ideas that we assume. The art of Yolanda Domínguez Madrid lives right at that vertex. The artist an expert in Communication and Gender looks at the world and gives us back the translated vision different from it.
The world is full of images that affect us of discourses undermined by CXB Directory stereotypes and misconceptions about who we are. Its themes are based on feminism and criticize capitalism contemporary vital frameworks from which it casts its critical gaze a boomerang that sometimes returns. In the faculties they already name her. What Yolanda Domínguez does walks reflects clashes transforms reproduces and moves.
Collaborations exhibited projects TED talks conferences workshops... and his most personal work: art that is action. Thousands of women officially became owners of their bodies in Registration as a reaction to the Gallardón Law. In Poses she rocks the world of fashion; in Accesibles y Accesorias to advertising in the capitalist world; In Azafatas she criticized the commercial use of women's bodies and in Little Black Dress she challenged the concept of sizes.
Sectors of communication - such as the journalist or the publicist - have also undergone examination. And he continues his whip is longer. Why did Pioneer send those images to the aliens? It is sharp even with NASA because "what is not visible ends up becoming an anomaly." He leaves no puppet head. Yolanda Domínguez has made her name a type of vindication a form of complaint.